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Remember - On stage at The Half Moon

by Latin Quarter

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1.
Remember 03:11
REMEMBER (Skaith) in the house of the almighty Lord They all shall come, the great, the small The have-nots and the have-it-all shall enter There’s a body from a foreign war Draped in fl ag, the bugle calls To pray in sorrow, but bless the cause remember shall we not remember? But would the man from Verdun speak of ‘glory’ if he laid the wreath? And if the empire called again, would he defend her? And what of those who held Madrid While Washington and London hid? or those that kept the Athens bridge Traitored by an allied kiss? shall we not remember? And who believes He came to die for uniforms where padres hide To bless the violence on our side knowing smaller nations cry? ‘Thou shalt not kill’ Unless of course the meek shall try And share the earth With those who found their power at birth remember shall we not remember?
2.
Nico 03:21
Nico (Jeffries/Jones) If chaos had a face it would have your endless eyes I would never learn to swim them, never learn to fly I would never find the way out, never learn the grid The first time I saw them, I really should have hid. But you looked like Nico And I knew from the get-go That I just couldn’t let go Because you looked like Nico. And I knew from the get-go That I just couldn’t let go The poppy is a red, a red it shares with blood What we gather in a heartbeat, we let go in the flood I thought that I had won her trust, I won the blues instead This is where I stumbled, this is where I bled But you looked like Nico And I knew from the get-go That I just couldn’t let go Because you looked like Nico. And I knew from the get-go……. When we met why did it look like a movie Or maybe an ad Why were the first ten seconds The best ten seconds we had? But you looked like Nico And I knew from the get-go That I just couldn’t let go Because you looked like Nico. And I knew from the get-go That I just couldn’t let go
3.
Phil Ochs 04:14
Phil Ochs (Skaith/Jones) Here comes Phil Ochs shovel on his shoulder Trailing a hoe along the Ho Chi Minh trail But the trail is on Bleeker Street And Phil's on his uppers It's the mid-nineteen seventies and its not looking too good For a man with a mission and a man with a passion When you run out of fashion And it don't come crawling back Here comes Phil Ochs, he's got a chip on his shoulder They can't cut his jacket to cover it up When one war is over but ten are beginning And the movement's gone missing because they all just moved away Oh they moved into property, they moved off into futures They moved into ads, and that's as sad as it can get Run, run, run from Phil, Phil's on a three-day drunk He's up on his high horse, he's staggering and sauced Run, run, run from Phil, Phil's on a three-day drunk But he wasn't alone when he stumbled off course Here comes Phil Ochs, devil on his shoulder Carrying his guitar and the weight of the world But if there's a place for the millionaires, then there's space for the troubadour And while there's a space, there's always a chance out there That a melody lingers, and we keep getting singers Who've got more on their minds Than the latest Dow Jones share…
4.
Dominion 04:13
Dominion (Skaith/Jones) From Ramadan to Ramadan, thirty one tigers Where shot through the heart by one hunter And skinned with a razor blade Stowed in the hull of an old fishing boat To be sold as a trophy, a rug or a coat And the hunter can't ever think twice Because his children depend on the rice Reptile, feline, amphibian They suffer man's dominion Raptor, equine, simian They suffer man's dominion From Belem to back again, tropical forest Is slashed and burned by the acre Then razed by the power saw 'Til nothing that's living is safe or remote A lizard is slit from its tail to its throat So the North demands from the South Where you live direct from your hand to your mouth But what he takes now he can never replace Not even the Cheetah could ever keep pace What he lives alongside is just merchandise For those who don't know the value But are hot on the price From Geelong to Genoa, snake is in fashion With birds eggs and butterfly wings Raise to the power ten Then Lemurs and rhinos are just some foot-note In a forgotten study somebody wrote But their passing is no mystery They're being stolen But their passing is no mystery They're being stolen
5.
Dylan Thomas was Right (Skaith) I look in the glass, who's that staring back? Not the person who's inside I swear. On the bus and the shops I'm still taken aback How come they're calling me 'sir'? (Chorus ) I will try and accept the advice Not cowed at the close of the day I’ll go kicking, not gently into the long night. Dylan Thomas was right And I have won races I’ve heard the applause I’ve stood in the light on the stage But the past is still with us, never quite disappears But it struggles to brighten the dimming of age If only youth knew, if only age could This frustration of being alive There’s so much I believe, so much I denounce But life's mystery persists to confound me. Life’s mystery persists to confound me.
6.
Even Superman (is dead) (M: Steve Skatih / Lyrics: Mike Jones) Even Superman, even Superman is dead But there’s still bucks to be built out of the rubble where he bled Take his cape and cut it into squares And sell it long to uncertain people to show them someone cares Take the kryptonite and bury it in lead Tell the world, tell the world that doesn’t wait Tell the world that even Superman is dead. Take his bright insignia take his gold and molten shield Prepare your eyes for the sight of all the dread that it conceals. Take Metropolis, take his love for Lois Lane And ask ourselves why the hell we thought he’d ever kept us sane. Even Superman’s no more But can you answer the question ‘What did we invent him for?’ Even Superman’s expired Too weak to wrestle with the world that he inspired
7.
Swimming against the stream (Skaith/Jones) They're growing pines now in cotton soil Still making boxes for the sons of toil Still bend your back to pick you food stamps up Black coffee still comes in a tall white cup They took the signs down but it's loud and it's clear You want to eat? Well now, it can't be here Tell me how long the train's been gone Tell me again about the dream Tell me the story of glory hallelujah And how we're swimming against the stream More talk of marching on Washington It never really seems to get things done Along the way we maybe make good friends But they can't tell us where the rainbow ends It's getting more now than just out of reach And don't go looking down at Howard Beach Montgomery and Selma - go ask Congress 25 years, change hasn't meant progress In Chicago you live on the south or the west side But just like the townships - try moving in outside
8.
Older 04:45
Older (Skaith/Jones) Your nails are dirty from the city I catch you thinking it's a pity You ever had that bluebird tattoo on your shoulder Sunlight spelling summer dresses Across your Judes, across your Tesses But the evenings always turn out to be colder Chorus: Older... Do the days that come now fly by? Older... Does the blood that boiled now run dry? Older... Still too much to be done to sit and just wonder why There's a box you keep the past in You keep it locked, you keep it lasting Your mother's photograph, the things you never told her A child demanding your attention A quarrel needs your intervention The words you use surprise you when you scold her Chorus When your youth burned like a coal You said you wanted to make it white-hot But in the hard sell of your soul you got stamped out When your youth burned like a coal You said you wanted to make it white-hot But in the hard sell of your soul you got stamped out Like an ingot Chorus
9.
You and Me 04:58
You and Me (M: Steve Skaith / Lyrics: Michael MacNeill) I’ve heard the lies that you said before Heard the lies that you cried before All the times love has died before and it was over. All the days that have played before us All the hands that have strayed upon us All the times you’ve lied for us All the times you tried It’s you and it’s me And it’s now or never It’s you and it’s me and I’ll do whatever And I will trust you, I will trust you So never again It’s you and it’s me And that’s fine All the words that have gone before All the hurt that was wrong before All the misheard sighs in our time And to all the love that was lost before us All the dogs that have lain before us And the calm that became us, there’s no harm. All the lies, all the cries all the times you tried before.
10.
Niamh 03:08
Niamh (Jeffries/Jones) Niamh, you have to believe That when December hangs above your roof The winter’s only half the truth That smile of yours is all the proof you need Niamh, no tricks up my sleeve I’m not asking you to take a card Or make a choice you find too hard Life’s made of moments we discard and leave Believe Here’s an ancient saying that I just made up ‘It’s the drowning man who understands it all’ And I know you won’t be throwing me a lifeline But maybe, just maybe, you could call… Niamh, it’s you that I breathe And my breathing tells me I exist But barely since the last we kissed Now I’m a paid-up pessimist in need Niamh, don’t be so naïve It’s beyond us to right every wrong Took all I had to write this song It’s summer now and far too long, indeed Believe, Oh, Niamh, Believe, Oh Niamh…
11.
Free as a bird (Skaith) Here we go again She’s got something that she wants to talk about. I can guess Cos I can see that look in her eyes There’s a new guy it seems They’ve been doing more than hanging out And she asks ‘Don’t I, don’t I too feel something’s gone wrong?’ And I say ‘No Oh please don’t go’. I can go out tonight I am free as a bird Do anything I like I am free as a bird With anyone I like I am free as a bird I just can’t fly back to her I just can’t fly back to her. Don’t it always seem The moment the star is shining brightest That’s when they end the dream Maybe it’s just me who got it wrong again But I don’t want I don’t want this thing to just slip away Cos love like this don’t grow on trees No matter what my friends say I say ‘No Oh please don’t go.’ Free as Bird (Skaith) Here we go again She’s got something that she wants to talk about. I can guess Cos I can see that look in her eyes There’s a new guy it seems They’ve been doing more than hanging out And she asks ‘Don’t I, don’t I too feel something’s gone wrong?’ And I say ‘No Oh please don’t go’. I can go out tonight I am free as a bird Do anything I like I am free as a bird With anyone I like I am free as a bird I just can’t fly back to her I just can’t fly back to her. Don’t it always seem The moment the star is shining brightest That’s when they end the dream Maybe it’s just me who got it wrong again But I don’t want I don’t want this thing to just slip away Cos love like this don’t grow on trees No matter what my friends say I say ‘No Oh please don’t go.’
12.
I want you 03:07
I Want You (Skaith) Well did I say too much to you Or take up too much room? Did I move too fast for you? Wasn’t it what you wanted Or was it just too soon? The last time that I saw you Imagine my surprise I told you how I loved you You said ‘Thank you, I’ll text you And vanished from my eyes Oh what can you say? Oh what can you do? One day it’s good, next day it’s bad But I want you. Well my friends say just forget her And I’m sure that’s very wise They are just trying to be helpful But they haven’t slept in your bed Never woken up to your eyes. Is there no end, is there no end? To where you stop and I begin? Is there no end, is there no end? To where you stop and I begin?
13.
Eddie 03:56
Eddie (Skaith/Jones/Keefe) Looking at the water Through the spaces of an iron-ore train The water eddies round the rushes And Eddies round at my house, insane. The breakers in the distance Cut the air like the crackle of a CB rig. They found a crack in Eddie And they tore it down, and snapped him like a twig. His head is full of Goose Green Tastes the smoke from the damp grass, well alight And Eddie's waiting for the choppers And he goes on waiting long into the night. And I thought I heard a voice Didn't someone here just whisper, "Rejoice". The harbour's filled with newsmen, Little boats go bobbing, like a Dunkirk repeat To a train ride and a welcome And "Well done, Eddie" right across the street. The water's grey and choppy On the Lake out by the fairground big wheel. We could circle it forever But we'd never guess the way that Eddie feels.
14.
All I could do (M: Steve Jeffries / Lyrics: Michael MacNeill) It’s all I could do To stop the sound of the sirens And the sounds of the crying Holding the hands of the shaking And those of the dying Those that were praying Those that were lying. It’s all I could do It’s all I could do It’s all I could do To walk in silence To listen to the streets Can’t immerse in my own world Of rhymes and beats Global success, public defeats It’s all I could do It’s all I could do It’s all I could do To turn off the screen And look again to a post That said save your country And those you love most Angels with automatic weapons And the holy ghost It’s all I could do It’s all I could do To know a name and call it aloud To sense the misery of the scattering crowd To celebrate the people That still make me proud It’s all I could do It’s all I could do
15.
The Pantomime of Wealth (Skaith, Jeffries, Stevens, Buys) It was the wedding of the year I’d say, if not the century The helicopter taxis filled the sky And the dress cost a country And our job was to sit and stare, open-mouthed And reflect on our place in this lottery. Here’s the renaissance man from the 80’s band talking to the oligarch He’s heard all the rumours but he wants to find out for himself But the daughter assures him they’re fans of human fights So he’ll sing for his supper in this pantomime of wealth In this worldwide pantomime of wealth. Give me your tired, your poor, your huddled masses yearning to breathe free Make room for the butlers, the maids, the domestic help Some will get smart uniforms, others hidden beneath the stairs Extras in this pantomime of wealth. It was the wedding of the year I’d say, if not the century The helicopter taxis filled the sky and the dress cost a country And our job was to sit and stare, open-mouthed And reflect on our place in this lottery. In this worldwide pantomime of wealth In this worldwide pantomime of wealth We are many, they are few.

about

Steve Skaith about this album:
Finally, a live album. We often talked about it and did have one attempt which didn’t turn out because of the technical quality of the recording. So we were very lucky to get Robert Cooper to come along to the Half Moon in May 2018 to record us to a very high quality.

So here we are with 15 songs, some newer, some from the early days. It’s been interesting for me listening through as the mixes emerged. For a start I was surprised to be reminded of some of the songs that we actually played on that tour. Really, we played Older? Swimming against the Stream? Remember? Actually I don’t really remember but I’m pleased we did play that last one as it sounds to me like the arrangement it should always have been and is much, much better than any previous version.

‘I Want You’ I do remember playing but at the time I thought it was a bit of a mess and we were getting away with it just because it was an encore and everyone was drunk. But no! It sounds pretty organised and well arranged (with much more vibe than on the CD).

One other song I do remember very well is “Eddie’ because I was/still am in love with the drum and guitar intro with the synth coming in behind it. This was improvised out of the blue in a rehearsal by George and Yo and we all said ‘YES!’. Some fans hate it when we change arrangements but we have done it here without erasing the original. I personally love trying new arrangements to older songs as it can get tedious playing them in the same way year after year. But I guess for the Modern Times tour we’ll have to leave that Eddie intro out so I’ll just have to hum it myself in secret.

Of course on the tour we played about 21 or 22 songs per night so where are the missing 6 or 7 you may ask. Erm, well, erm let’s just say that not everything live turns out to our satisfaction and the Quality Control Police have locked those versions up and melted down the key before then throwing it away.

Being in a band, making music together is a wonderful experience and having that on record, hearing some of that in retrospect, is a great feeling. We only met drummer George just before we rehearsed for the tour and bass player Yo Yo we don’t see that often. But over the course of a tour you do build up a great sense of collectivity and solidarity and I hope that comes across on this record. I know it’s a deadly sin and I’m probably going to hell but I’ll say it anyway. I’m really proud of this album so what can I say apart from: As you’ve paid for it, I bloody well hope you like it.

----------------------------------------
Vor 40 Jahren nahm die britische Band Latin Quarter ihr Debütalbum Modern Times auf, welches ihr mit den Hits „Radio Africa“ und „New Millionaires“ einen Riesenerfolg bescherte. 40 Jahre später, im Jahr 2023, geht die Band nun in illustrerer Besetzung mit allen Songs dieses Albums und einigen mehr auf Jubiläumstournee.

Das Album:
Die fünfzehn ausgewählten Titel des passend zur Tour erscheinenden Livealbums wurden 2018 im legendären Half Moon im Londoner Stadtteil Putney von Robert Cooper feinfühlig mitgeschnitten. Sie stammen aus allen Karrierephasen der Band und bieten eine gute Einsicht in die Latin Quarter so typische Herangehensweise, Pop-Melodien mit oft politischen, aber auch persönlichen Texten, zu verbinden. Sie greifen Aktuelles auf, bleiben dabei aber stets zeitlos. Einige der Aufnahmen überraschten Bandleader Steve Skaith selbst, wie er in den Liner Notes der CD verrät: „I was surprised to be reminded of some of the songs we actually played on that tour… Really, we played… ‘Remember’?... I’m pleased we did play [it] as it sounds to me like the arrangement it should always have been and is much, much better than any previous version.”

In dem 1997 entstandenen Stück „Older“ beschrieb Mike Jones seine beim Älterwerden immer größere Enttäuschung über seinen verlorenen gegangenen jugendlichen Enthusiasmus. „Swimming Against the Stream“ und „Dominion“ wurden wie auch „Remember“ 1988 geschrieben. Das Titelstück des Livealbums handelt laut Steve Skaith über den „Remembrance Sunday” in Großbritannien und ist im Jahr 2023 brandaktuell: „Every year the leaders of the church and state in UK assemble on 'Remembrance Sunday' to remember those who died in the various British war campaigns. But as they ask us to remember the dead, are they also hoping we forget the wars themselves and why they were fought? That we don't ask what for? Have the soldiers died to 'serve their country' or just to protect or extend the interests of those in power? And the church? What is their history in all of this? Chaplains in the army - there to comfort the soldiers, or to make them feel that 'God is on our Side'?”

Steve Skaith, seit jeher Bewunderer des Folksängers Phil Ochs würdigt den 1976 Verstorbenen mit einem Song. „Nico" thematisiert den Tanz mit dem Verhängnis, der Besessenheit und bei „Even Superman – is dead" geht es um Superhelden (Marx, Lennon, Obama …) und der von ihnen ausgehenden Inspiration für heutige Zeiten.

credits

released April 14, 2023

Steve Skaith - acoustic guitar and vocals
Steve Jeffries - keyboards and backing vocals
Mary Carewe - keyboards and vocals
Yo Yo Buys - bass and guitar
George Cook - drums and percussion

Recorded at the Half Moon, Putney, London on May 3rd 2018 by Robert Cooper.
Mixed and Mastered by Steve Jeffries

Artwork: neomania design

(p) 2023 Westpark Music

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Latin Quarter UK

Latin Quarter are celebrating the 40th anniverary of their 'Modern Times'-album this year. They first burst onto the scene with their singles "Radio Africa" and "New Millionaires" – songs that stayed for months in the German single charts in the 80s. The band split up in 1998. In 2011 five of the original musicians got together again. 7 new albums released after this reunion. . ... more

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